Pioneering pianist on finding her forte

Sarah Nicolls (Music, 1995)

Sarah sits smiling in a green jumper in front of two of her vertical pianos.

Sarah with two of her vertical pianos

Sarah with two of her vertical pianos

Sarah Nicolls’ talent for music takes many forms. She is the inventor of the groundbreaking vertical piano or ‘Standing Grand’, CEO of First Light Pianos and a regular soloist on BBC Radio Three. She was also a Senior Lecturer at Brunel University, and she composes her own musical theatre shows. This year, Sarah’s entrepreneurial talents earned her a prestigious Purple Plaque Award as an Innovate UK ‘Women in Innovation’ award winner.

A life-long love of music

'Music has always been at the centre of my life. I played the piano from a very young age and practised for hours as a child. At 14, I went to Chetham’s School of Music, and decided I wanted to continue studying music.’

Striking the chords of inspiration at King's

‘I chose King’s because I wanted to come to London and have lessons at the Royal Academy of Music, where I was taught by classical pianist Piers Lane.

‘The lecturer who really influenced me was Professor Arnold Whittall. He taught us musical analysis, focusing on contemporary scores. Analysing the structures of a piece of music (even the most mathematically complex) particularly fascinated and enthralled me. It got me into playing modern music and gave me the tools to approach and understand it.

‘Being a student in London was just as much fun as I figured it would be. I loved walking around Zone One, seeing everything, experiencing so many new things. I loved that we were in mixed halls, so my friends were from every course: I loved the amazing cross-disciplinary environment and the ease of the campus. We were in a bubble and yet in central London.’

Fine tuning the vertical piano

'Earlier in my career, I was playing lots of new music and kept being asked to play “inside” the piano. This means playing on the strings directly - so plucking, or playing a harmonic, or strumming.  The sounds are amazing, but it involves reaching into the piano which can be uncomfortable and awkward, so I decided to change the piano’s shape.

Inside the Standing Grand: how does it work?

‘The vertical piano is reminiscent of historical instruments called cabinet pianos, with strings reaching up from the piano keys. The difference with my piano is that the “action” (the hammers which strike the piano strings) is behind the strings, the strings are parallel, and the piano frame is not in the way of the strings. This means the player can reach every part of every string from a comfortable position. Crucially, it also gives the sound of a grand piano in the footprint of an upright piano and the sound is at head height, unlike on a normal upright.

‘The second stage is where the company name comes in. I want to make the piano light, to be able to move it around easily and to better enable the radical vertical design. This is where the engineering gets complicated. We’re holding up to 20-30 tonnes of tension in a lightweight string frame, replacing cast iron which has been used in almost every piano for the last 200 years.’

Sarah Nicolls sits in front of her innovative vertical piano. She is wearing an orange dress.

Sarah Nicolls

Sarah Nicolls

Receiving the Purple Plaque - a career crescendo

‘Being awarded the Purple Plaque was a real honour. Installed in schools and universities across the UK, Purple Plaques recognise the winners of the Innovate UK, Women in Innovation Award (which I received in 2023).

‘The Women in Innovation programme is all about supporting women in leading their own companies. Currently female founders receive about 1% of investments, so the Purple Plaque is an attempt to rebalance representation, to show the things women are daring to do, to tell different stories and inspire other women to be bold, take risks, and try out ideas.

‘I encourage all King’s students to really follow their unique questions. I think this is the key to an interesting life and may help solve some of the world’s problems. We need all kinds of voices and brains in the mix.’

Sarah’s plaque will be installed in King’s Music Department, in a fitting tribute to her time on our campus.       

WRITERS

Emily Barton
Paul Brooks
Hermione Cameron
Ruthy Stevenson
Ellie Stone

DESIGN

Principal design by Jonathan Vickers
Illustration work by Caroline Tomlinson
Additional design support from psLondon
Approved by brand@kcl.ac.uk

WITH SPECIAL THANKS TO

Katherine Chinn
Abbie Coburn
JH Norris
Carly Yung

ALUMNI & EDITORIAL OFFICE

King’s College London
Virginia Woolf Building
22 Kingsway
London, WC2B 6LE

King’s College London 2024 ©

InTouch is published by the University’s Department of Fundraising & Supporter Development. The opinions expressed in it are those of the writers and not necessarily those of the University.

If you have a story for our Spring 2025 issue, email us at forever@kcl.ac.uk

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ALUMNI & EDITORIAL OFFICE

King’s College London
Virginia Woolf Building
22 Kingsway
London, WC2B 6LE

King’s College London 2024 ©

InTouch is published by the University’s Department of Fundraising & Supporter Development. The opinions expressed in it are those of the writers and not necessarily those of the University.

If you have a story for our Spring 2025 issue, email us at forever@kcl.ac.uk

Terms & Conditions | Privacy Policy | Cookie Policy | Accessibility Statement

WRITERS

Emily Barton
Paul Brooks
Hermione Cameron
Ruthy Stevenson
Ellie Stone

DESIGN

Principal design by Jonathan Vickers
Illustration work by Caroline Tomlinson
Additional design support from psLondon
Approved by brand@kcl.ac.uk

WITH SPECIAL THANKS TO

Katherine Chinn
JH Norris
Carly Yung

Clicking on this button takes you to the main website of King's College London