‘Ensuring a story is balanced, fair and accurate is so important’
Award-winning journalist Jane Corbin (English Literature, 1975) has reported from the world’s major conflict zones for three decades. She has made films for World in Action, Channel 4 News and BBC Panorama, where she continues to make investigative programmes about international and domestic issues. We talk to Jane about her amazing career and the key lessons she’s learned along the way.


‘My father worked for the Foreign Office,’ reveals Jane. ‘As a child, he took me on trips when we were living in Yemen. I remember seeing the camels and the desert. That’s where my fascination with the Middle East started.’
While it was trips with her dad that sparked a career-defining passion for Jane, it was her experiences of school that prompted her to apply to King’s.
She explains: ‘I studied for my O and A Levels at a boarding school in the depths of the Devon countryside. The idea of living, studying and working in bustling London was always alluring.
‘When I arrived at King’s to study English Literature in 1972, it was exciting. I still get that feeling when I walk along The Strand five decades later. King’s is a special place in a special location.’
A career starter for 10 on University Challenge
Jane says she was always aiming for a career in reporting or documentary-making.
‘I started applying for jobs before I took my finals,’ she recalls. ‘I bought copies of the TV listings magazines, Radio Times and TV Times. I looked up the names of the producers of shows I wanted to work on. I wrote to them, saying “I’d like to come and see you. Could I have an interview?”
‘Most of them didn’t reply. But a man called Douglas Terry, who was the producer of various shows at Granada TV [now ITV Granada], did. There wasn’t a job for me, but there was room in the office for somebody to be an assistant. Because of this, I landed my first job as a question writer on University Challenge.’
Award-winning journalist Jane Corbin has reported from the world’s major conflict zones for three decades. She has made films for World in Action, Channel 4 News and BBC Panorama, where she continues to make investigative programmes about international and domestic issues. We talk to Jane about her amazing career and the key lessons she’s learned along the way.
‘My father worked for the Foreign Office,’ reveals Jane. ‘As a child, he took me on trips when we were living in Yemen. I remember seeing the camels and the desert. That’s where my fascination with the Middle East started.’
While it was trips with her dad that sparked a career-defining passion for Jane, it was her experiences of school that prompted her to apply to King’s.
She explains: ‘I studied for my O and A Levels at a boarding school in the depths of the Devon countryside. The idea of living, studying and working in bustling London was always alluring.
‘When I arrived at King’s to study English Literature in 1972, it was exciting. I still get that feeling when I walk along The Strand five decades later. King’s is a special place in a special location.’
A career starter for 10 on University Challenge
Jane says she was always aiming for a career in reporting or documentary-making.
‘I started applying for jobs before I took my finals,’ she recalls. ‘I bought copies of the TV listings magazines, Radio Times and TV Times. I looked up the names of the producers of shows I wanted to work on. I wrote to them, saying “I’d like to come and see you. Could I have an interview?”
‘Most of them didn’t reply. But a man called Douglas Terry, who was the producer of various shows at Granada TV [now ITV Granada], did. There wasn’t a job for me, but there was room in the office for somebody to be an assistant. Because of this, I landed my first job as a question writer on University Challenge.’
A new challenge on Channel 4
While at Granada, Jane got the chance to work for the lauded current affairs series, World in Action.
‘I did Living Dangerously, a World in Action film on the 1976 explosion at a chemical factory in Seveso, Italy,’ she explains. ‘I worked on documentaries at Thames TV and on This Week, too.’
In 1982, a new TV channel was also about to be launched.
She continues: ‘I was asked to join Channel 4 News. It was exciting to be part of a new team. I was a general reporter, but I started doing a lot of foreign reporting. I was one of the last journalists to interview Indian Prime Minister Indira Gandhi before she was killed in 1984. I also covered the 1984 US Presidential Election.
‘In 1986, I was in the newsroom when we received reports that the Challenger Space Shuttle had blown up. I had to gather footage, establish what facts were available and go on live TV to talk about it with only minutes to prepare.
‘Appearing on live television news puts you under immense pressure – more than the usual journalistic deadlines. Learning to come with this and not show your nerves is one of the most important lessons I have learned.’
Joining Panorama
In 1988, Jane joined the BBC’s flagship documentary series, Panorama.
‘I wanted to do a specific programme and Panorama was going to let me do it,’ says Jane. ‘The Pol Pot regime of the 1970s was long over. But Cambodia was still under the strict rule of the Communist Party and it was closed to all foreign media. I found a way to get access and report on it.’
Jane’s film, In the Shadow of the Killing Fields, prised open the reality of genocide and mass graves, exploring the terrible events that the country and its people had gone through.
Jane has remained at Panorama to this day, where she’s recognised as an expert on Middle East affairs. ‘I’m proud of the work I’ve done examining the growth of Islamic extremism,’ states Jane. ‘I identified the threat of Osama bin Laden three years before the 9/11 attacks on New York. I made Death to America, my first film about him, in 1998 after Al-Qaeda attacked US embassies in Kenya and Tanzania.
‘In 2002, I followed this up and went to Afghanistan to make a film called The Hunt for Bin Laden.
‘I’ve also followed the story of Israel, Palestine, Hamas, Gaza and the West Bank closely since the 1990s. In 2024, I made the film October 7th: One Year On. This followed two families in Israel and two in Gaza whose lives were changed for ever by the ongoing conflict between Israel and Hamas.’




A new challenge on Channel 4
While at Granada, Jane got the chance to work for the lauded current affairs series, World in Action.
‘I did Living Dangerously, a World in Action film on the 1976 explosion at a chemical factory in Seveso, Italy,’ she explains. ‘I worked on documentaries at Thames TV and on This Week, too.’
In 1982, a new TV channel was also about to be launched.
She continues: ‘I was asked to join Channel 4 News. It was exciting to be part of a new team. I was a general reporter, but I started doing a lot of foreign reporting. I was one of the last journalists to interview Indian Prime Minister Indira Gandhi before she was killed in 1984. I also covered the 1984 US Presidential Election.
‘In 1986, I was in the newsroom when we received reports that the Challenger Space Shuttle had blown up. I had to gather footage, establish what facts were available and go on live TV to talk about it with only minutes to prepare.
‘Appearing on live television news puts you under immense pressure – more than the usual journalistic deadlines. Learning to cope with this and not show your nerves is one of the most important lessons I have learned.
Joining Panorama
In 1988, Jane joined the BBC’s flagship documentary series, Panorama.
‘I wanted to do a specific programme and Panorama was going to let me do it,’ says Jane. ‘The Pol Pot regime of the 1970s was long over. But Cambodia was still under the strict rule of the Communist Party and it was closed to all foreign media. I found a way to get access and report on it.’
Jane’s film, In the Shadow of the Killing Fields, prised open the reality of genocide and mass graves, exploring the terrible events that the country and its people had gone through.
Jane has remained at Panorama to this day, where she’s recognised as an expert on Middle East affairs. ‘I’m proud of the work I’ve done examining the growth of Islamic extremism,’ states Jane. ‘I identified the threat of Osama bin Laden three years before the 9/11 attacks on New York. I made Death to America, my first film about him, in 1998 after Al-Qaeda attacked US embassies in Kenya and Tanzania.
‘In 2002, I followed this up and went to Afghanistan to make a film called The Hunt for Bin Laden.
‘I’ve also followed the story of Israel, Palestine, Hamas, Gaza and the West Bank closely since the 1990s. In 2024, I made the film October 7th: One Year On. This followed two families in Israel and two in Gaza whose lives were changed for ever by the ongoing conflict between Israel and Hamas.’
Why I give to King’s
‘My key motivation for leaving a gift in my will is so that King’s can carry on doing the excellent work it’s always done. The institution has a great Department of War Studies, which has led the way in that area of research and understanding. As someone who’s covered lots of international conflicts, I have a particular interest in supporting that.
‘More fundamentally, I believe in the importance of higher education and that everyone should have access to it. I had a great time at King’s. It influenced my life and my career. I still think fondly about it. Why wouldn’t I want to give back?’
Life lessons
Jane has learnt many other important lessons during her distinguished career.
‘Never take anything at face value,’ she advises. ‘Never assume you understand a situation or that what you’re being told is correct. While it’s important to approach things with an open mind, always make sure you ask questions.
‘Similarly, don’t take anyone at face value. People that seem one way can turn out to be quite different. In both good and bad ways. Travelling internationally and meeting different people from diverse cultures has taught me there’s no one-size-fits-all formula.’
Jane says this approach links back to her student days: ‘King’s had a diverse mix of students, so we learnt not to make assumptions. We were also encouraged to develop inquisitiveness, be open to other people and influences, never take anything for granted, keep our circles wide… They are some of the key lessons that King’s provided for me.’


Why I give to King’s
‘My key motivation for leaving a gift in my will is so that King’s can carry on doing the excellent work it’s always done. The institution has a great Department of War Studies, which has led the way in that area of research and understanding. As someone who’s covered lots of international conflicts, I have a particular interest in supporting that.
‘More fundamentally, I believe in the importance of higher education and that everyone should have access to it. I had a great time at King’s. It influenced my life and my career. I still think fondly about it. Why wouldn’t I want to give back?’
Life lessons
Jane has learnt many other important lessons during her distinguished career.
‘Never take anything at face value,’ she advises. ‘Never assume you understand a situation or that what you’re being told is correct. While it’s important to approach things with an open mind, always make sure you ask questions.
‘Similarly, don’t take anyone at face value. People that seem one way can turn out to be quite different. In both good and bad ways. Travelling internationally and meeting different people from diverse cultures has taught me there’s no one-size-fits-all formula.’
Jane says this approach links back to her student days: ‘King’s had a diverse mix of students, so we learnt not to make assumptions. We were also encouraged to develop inquisitiveness, be open to other people and influences, never take anything for granted, keep our circles wide… They are some of the key lessons that King’s provided for me.’
Balanced, fair and accurate
Despite an astonishing five decades of making documentaries, Jane has no immediate plans to retire.
‘I want to keep making better and more interesting films,’ she says. ‘I plan to carry on telling stories that bring understanding to difficult issues.
‘The digital landscape has dramatically changed journalism, while social media has made reporting instantaneous and fraught with challenges. You often need the experience and the ability to step back and take the time to consider what you’ve seen and put it into context. It’s why I value working at the BBC. Ensuring that a story is balanced, fair and accurate is so important.
‘With events in the Middle East, in Ukraine and Russia, and elsewhere in the world, that type of understanding, objectivity and clarity is needed more than ever.’
Balanced, fair and accurate
Despite an astonishing five decades of making documentaries, Jane has no immediate plans to retire.
‘I want to keep making better and more interesting films,’ she says. ‘I plan to carry on telling stories that bring understanding to difficult issues.
‘The digital landscape has dramatically changed journalism, while social media has made reporting instantaneous and fraught with challenges. You often need the experience and the ability to step back and take the time to consider what you’ve seen and put it into context. It’s why I value working at the BBC. Ensuring that a story is balanced, fair and accurate is so important.
‘With events in the Middle East, in Ukraine and Russia, and elsewhere in the world, that type of understanding, objectivity and clarity is needed more than ever.’
WRITERS
Kelly Archer
Paul Brooks
Hermione Cameron
Kate Hazlehurst
Teresa Richards
Alex Scott
Karina Scuteri
Ellie Stone
Stephanie Young
DESIGN
Principal design by Jonathan Vickers
Additional design and coding by Carly Yung
Approved by brand@kcl.ac.uk
Photography by Nathan Clarke and Jim Winslet
WITH SPECIAL THANKS TO
JH Norris
ALUMNI & EDITORIAL OFFICE
King’s College London
57 Waterloo Road,
London,
SE1 8WA
King’s College London 2025 ©
InTouch is published by the University’s Philanthropy & Alumni Engagement Office. The opinions expressed in it are those of the writers and not necessarily those of the University.
If you have a story for our Autumn 2025 issue, email us at forever@kcl.ac.uk
Terms & Conditions | Privacy Policy | Cookie Policy | Accessibility Statement
ALUMNI & EDITORIAL OFFICE
King’s College London
57 Waterloo Road,
London,
SE1 8WA
King’s College London 2025 ©
InTouch is published by the University’s Philanthropy & Alumni Engagement Office. The opinions expressed in it are those of the writers and not necessarily those of the University.
If you have a story for our Autumn 2025 issue, email us at forever@kcl.ac.uk
Terms & Conditions | Privacy Policy | Cookie Policy | Accessibility Statement
WRITERS
Kelly Archer
Paul Brooks
Hermione Cameron
Kate Hazlehurst
Teresa Richards
Karina Scuteri
Alex Scott
Ellie Stone
Stephanie Young
DESIGN
Principal design by Jonathan Vickers
Additional design and coding by Carly Yung
Approved by brand@kcl.ac.uk
Photography by Nathan Clarke and Jim Winslet
WITH SPECIAL THANKS TO
JH Norris